Christmas is Cancelled campaign for National Boycott. (JusticeOrElse)

Christmas has become the most wonderful time of the year for corporate companies. Every end of the year they can’t wait to see you rush to buy their products. Its all a big marketing scheme to open up emotional vulnerabilities that make people feel that without their products they are defective. Corporations hire phsycologist to sell what is essentially the same product every year. Consumers are emotionally and phycologically inclined to buy during this time because “its the season of giving” when in reality it is the season of buying. Christmas has become nothing but bait, laid out for certain types of consumers and since the black consumer market has reached $1 trillion this year, its safe to say the bait is laid out for us.

This year we are killing the bait, the pole, and the fisherman by canceling Christmas. Similar to the way you would cancel a check lol No we are not saying to stop any religious beliefs, but stopping a habit that has turned into a mindless shopping ritual centered on an old fat bearded guy with elves, reindeer, and dead trees is what we are saying lol.


So share this commercial because #ChristmasIsCanceled #APDTA
Boycott Black Friday through Cyber Monday
November 27th 2015 – January 2nd 2016

Don’t give them your money this season!!


Here are some behind the scenes images of the making of the commercial.
(Dope photos by Ntosake Muhammad PHX)
christmas_is_behind
“The Family Dinner”
Written, Directed, Edited by Hakeem Khaaliq & Queen Muhammad Ali
Produced by Steve Muhammad, Nation19, and Yosoy!
Actors: Bro Sylvester, Sis Hope, Marquise Jennings, Omniya, Matt Knight(DJref) (Santa)
Sound Recording: Ronald Muhammad
Production Assistants: Ronald Muhammad & Khalfani Muhammad, Marquise Jennings
Cinematography by Hakeem Khaaliq

Activists discuss social injustice at World Premier screening of film in Phoenix!

 

We had such a great night at the world premier screening of our film #Bars4Justice! There were community activists, leaders, organizers, artists, and hip hop heads all there to discuss as a whole what we can do as a community to make a difference. WestCoast Kam was there and he talked about his role as an artists, hiphop and advocacy. Staring in the film is Jasiri X who flew all the way from Pittsburg, PA. There was a question and answer session with him where we spoke about his role as a hiphop activist. So we want to bring the film to your city to encourage and promote how hip hop and the arts can be used as a tool for positive change.

 

For info about screening in your area contact:

get@nation19.com

909.380.2138

Filmmakers bring Ferguson to Phoenix’s Hip Hop community… Sheriff Arpaio not invited.

On October 1st, community leaders along with local and national Hip Hop artist will meet in Phoenix to discuss racial profiling, police brutality, SB1070 laws, and Sheriff Joe Arpaio. This will take place at a premier screening of a short film “#Bars4Justice” (view or download media kit) Presented by Nation19 and Directed by award winning filmmakers Hakeem Khaaliq and Queen Muhammad Ali. “We believe this is the perfect time to use different approaches to activism especially in the state of our society today, and encouraging advocacy through hip hop can help educate and position today’s youth locally and nationally” said Queen. The film includes cameo appearances by Academy Award® winner artist Common (Selma) along with Talib Kweli, Immortal Technique, M1 from Dead Prez, Jasiri X, Cornell West, Bree Newsome, and activists from all over the country. “This film documents the new generation of civil right activists who don’t sing We shall overcome they chant… Fight the Power” said Hakeem. “Bars4Justice” was filmed in Ferguson in the midst of yet another officer involved shooting during the anniversary of Michael Browns death who was killed by officer Darren Wilson on the same day a year prior.


bars4justice_film_cornell

With the growing epidemic of police deadly force against people of color, community activism has become a necessity.  While community activism is progressing, there is another revolution on the rise that has not yet been televised. The revolution of HipHop advocacy and the rise of MC’s rapping about social issues.

Subsequent screenings of the film #Bars4Justice are being scheduled in Chicago, Pittsburgh, Los Angeles, New York, Honolulu, and Ferguson. To find out more about screening the film in your area contact 909.380.2138 or email get[at]nation19.com.


bars4justice_film_jasiri_talk

Facts:
  • Since the 2014 killings of unarmed 17 year old Mike brown in Ferguson, and unarmed  34-year-old father of four Rumain Brisbon in Phoenix, 1100+ people were killed at the hands of police.
  • Arizona ranks among the highest in nation for deaths by Cops
  • No FM or AM radio station currently play conscious Hip Hop in Phoenix
  • Officer Mark Rine was not charged for the killing of unarmed father Rumain Brisbon.
  • Since then Arizona passed a law in 2015 that will shield names of police in ‘deadly force’ killings.
  • The Public Enemy music video for “By the Time I Get to Arizona” aired on MTV only one time in 1991. However, PE’s message spread:
    The NFL pulled the 1993 Super Bowl from Tempe, Arizona, and thousands of conventions and tourists followed suit. It’s estimated the state lost $350 million in revenue before voters reconsidered the referendum in a 1993 vote, re-instating the King holiday.

bars4justice_film_jasiri_march


What does “bars” 4justice mean?
The most popular time signature in music  is the 4/4 measure and 4 bars is usually 1/4th  of a rap verse (16 bars).


bars4justice_film_common


About Bars4Justice:
Bars4Justice is a documentary film shot on location in St Louis and Ferguson. The film follows Emcee / Community activist Jasiri X who was invited to perform at a benefit concert on August 9th 2015 along with Common, Talib Kweli, Immortal Technique, Cornell West, and Bree Newsome. The screening and live Q&A discussion with Jasiri X on Hip Hop’s roll in activism locally and nationally will take place on October 1st 2015 at:
bars4justice_film_MOD


Mod HQ 

2828 N. Central Ave. 
Suite 100 (First Floor)
Phoenix, AZ  85004
(Southwest corner of Central and Thomas)
602.687.9417 (Venue)
909.380.2138 (Nation19)

6:30PM to 9:00PM 

Space is limited (so come early)
Free admission
Free parking

All ages welcomed


Featuring

In order of appearance
Jasiri X
Talib Kweli
Fubar St Louis
Tory Russell (Hands up United)
Kayla Reed (OBS)
Kendra Ross
The Ferguson Poet
Cornell West
Bree Newsome
Immortal Technique
Tef Poe
T-Dubb-O
Pharaoh Monch
Bun B (UGK)
M1 (Dead Prez)
Common
Family of Mike Brown
Rev. Renita Lamkin
Rev. Osagyefo Uhuru Sekou
Rev Traci Blackmon
Rahiel Tesfamariam (Urban Cusp)
Rabbi Susan Talve ( Reform Congregation)
Rev Michael McBride
Protestors
Davey D
Rosa Clamente
Deray Mckesson (We The Protesters)
Andre Anderson, Chief of Police Ferguson

 


NWA Tour with Eminem is coming straight outta somewhere in Europe?

Universal chief Donna Langley is trying to reunite N.W.A for a European tour to promote the group’s biopic with Eminem filling in as Eazy E, and sitting in as an honorary member according to the Langley. “We don’t have anything settled yet with everyone’s schedules,” she says. “But we think it can create a lot of buzz.”

After hearing this the crew over here at Nation19 came up with some ways the tour could go down with Eminem added. First thing is N.W.A. (Niggaz Wit Attitudes) may scare some, so we suggest renaming it N.W. E. (Niggaz Wit Eminem).

In order to seamlessly perform the songs that Eazy made famous we think its best to leave his legendary status in place and create new titles of his songs.

  • Instead of the crowd screaming We Want Eazy how about We Want Eminem. 
  • Calling black men Boyz is so 1940’s so Eminem can rework the old school classic into White Boyz in the Hood. 
  • Lastly in hopes of calming the racial tensions between blacks and the police they can replace F@^! the Police with a new tour version with Eminem called…My Uncle’s a Police.  JK…lol

APDTA

Bill Cosby’s innocence, Hollywood Pedophiles, and why all people don’t think alike.

While everybody is talking about accusations there are real rapist in Hollywood we should all be aware of, but mainstream media chooses to sweep their stories under the rug. On December 11th we published “Wilhelmina Model offered $15,000 to Destroy Bill Cosby Comes Forward” and received hundreds of thousands of views on our site and and close to two million views on Facebook. It appears that most people feel the Bill Cosby accusers could be a scam. While the major news outlets are hyping up allegations on Bill Cosby that are most likely not true… THERE ARE REAL RAPIST IN HOLLYWOOD!

Hollywoods best kept secret has been turned into a documentary Directed by acclaimed filmmaker Amy Berg. But this documentary is only the tip of the iceberg. We researched a few very powerful people in hollywood… here are a few.


nation19_apdta_700x49_Bill Cosby's innocence, Hollywood Pedophiles_woody2
Woody Allen

His movies are really funny but his family is not laughing. Recently (2014) he was awarded Golden Globe lifetime achievement award. His net worth is about $65 Million.

What they say he did and what he did:
Woody Allen’s ex Mia Farrow found naked pictures of their adopted daughter Soon-Yi among Woody’s belongings. After he breaks up with Mia Farrow Woody Allen marry’s the teenage Soon Yi at 56.

His other daughter
Allen had been in therapy for alleged inappropriate behavior toward Dylan Farrow (Mia’s other daughter) with a child psychologist before the abuse allegation was presented to the authorities or made public. Mia Farrow had instructed her babysitters that Allen was never to be left alone with Dylan. Allen was accused of molesting Dylan when she was 7 years old.
His daughter Dylan Farrow who accused him of molesting her wrote a full letter that didn’t get to much hype from the press. Here it is. 

This is what Ronan Farrow (Woody Allen’s son who is a journalist w/ MSNBC/NBC) said after watching his Golden Globe tribute. (ouch!)


Brian Singer
Brian Singer

Brian Singer:
You might not know his name but you know his movies. The 49 year old director has a net worth of $70 Million and X-Men: Days of Future Past made close to a billion dollars worldwide since its release in May 2014. He is openly Gay and has been spotted on many occasions at wild gay parties with attendees such as Mogul David Geffen who is also gay.

Some of His Movies:
1995 The Usual Suspects
2000 X-Men
2006 Superman Returns
2011 X-Men: First Class
2013 Jack the Giant Slayer
2014 X-Men: Days of Future Past
1998 Apt Pupil *

What he is accused of doing:
Mr Singer has been accused of sexually assaulting a 17-year-old boy. The lawsuit filed in federal court in Hawaii, plaintiff Michael Egan, was 17 when he was forced to perform various sexual acts which include alleged forced oral and anal intercourse with Singer during the late-1990’s. The court papers allege Singer “manipulated his power, wealth, and position in the entertainment industry to sexually abuse and exploit the underage Plaintiff through the use of drugs, alcohol, threats, and inducements which resulted in Plaintiff suffering catastrophic psychological and emotional injuries.”

His Life imitating his Art:
In the film Apt Pupil, Bryan Singer filmed a shower scene at Eliot Middle School in Altadena, California on April 2, 1997, and two weeks later, a 14-year-old extra filed a lawsuit alleging that Singer forced him and other extras to strip naked for the scene. Two boys, 16 and 17-years-old each, later supported the 14-year-old’s claim. No charges were brought against the director. The films final scene shows the main character a 16 year old teenage boy blackmails his schools counselor into silence by threatening to accuse him of making inappropriate sexual advances towards him. 


Roman Polanski
Roman Polanski

Roman Polanski:
Most of the homies in the hood have never heard of him but he is an Academy award winning Director with 81 awards and 51 nominations. He has a net worth of 45 Million and is currently directing a new movie in Poland.

Some of his Movies: 
2015 The Stalking Moon
2002 The Pianist
1974 Chinatown
1968 Rosemary’s Baby *

What he did:
In March 1977, Mr. Polanski was arrested and charged in Los Angeles for drugging and rapping a 13-year-old girl Samantha Gailey five times. The actual charge was rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance to a minor.

Instead of facing imprisonment Polanski fled to France in February 1978, hours before he was to be formally sentenced. Since then Polanski has mostly lived in France and avoided visiting countries likely to extradite him to the United States.

Pedophile sympathizer Hannah Slapper wrote “Roman Polanski’s lifetime achievement award reminds us that art should never be judged by the morals of the artist” in The Guardian in 2010. We wonder if she will say the same thing for Bill Cosby.

His Life imitating his Art:
Rosemary’s Baby is a 1968 Roman Polanski film about a woman whose husband signs a pact with the Satan-worshipping cult next door. Starring woody Allen’s Mia Farrow (kinda strange)

The film’s composer died of a brain clot one year after making the film, the same way a character in the film dies. Then producer William Castle suffered kidney failure soon after the film was made

But on August 9, 1969, while at home with friends, Roman Polanski’s wife Sharon Tate was murdered by the followers of Charles Manson’s gang in Los Angeles. Tate was eight months pregnant (kinda like the movie Roman Polanski did the year before) with Polanski’s baby at the time. Manson’s peeps stabbed her 16 times and murdered the four friends who were with her.


APDTA.

Is the NYPD killings a False Flag or a Hoax? We have questions.

The killing of innocent people is never right or justified. We are hoping this is not a false flag or hoax or a plan to use this situation to allow police around the country to use lethal force against civilians. By no means are we detectives but something about this incident is very strange.


Below we listed a few questions that maybe you can help us answer.


1. Why did Baltimore police fax a flyer to NYPD versus calling or emailing this threat? Apparently the fax was received 5 mins before the shootings. The flyer warns that Brinsley had posted on Instagram “that he will shoot a police officer today. (this is strange)

Brinsley Wanted Flyer_Page_1
Brinsley Wanted Flyer_Page_1 Faxed to NYPD from Baltimore Police 5 mins before the killings in Brooklyn.

(bonus question)
Why would Baltimore Police Department fax a picture (above) that doesn’t show his face when they have a photo (below) of the suspect when he was arrested in the past?
2435E15100000578-2882586-image-m-12_1419204234725


2. According to his Ex girlfriends Mother Brinsley called her and apologized after he supposedly shot his ex girlfriend Shaneka Nicole Thompson in the stomach on accident. He called from his ex girlfriends cell phone.


3. He is an alleged Black Muslim radical who speaks Arabic with ties to Black Guerrilla Family. How was this information sourced? Last time we checked having an Arabic name does not make you a muslim anymore than having a name like Peter, Paul or John Smith make you a Christian. How did the police have this much info so fast?


4. Why would an angry black man avenge Eric Garner and Mike Brown by killing police officers who were Asian & Latino?


5. Why does all the photos of Ismaaiyl A. Brinsley on a ambulance stretcher look like he was handcuffed after supposedly committing suicide? (This photo has been removed by request of the photographer Mr. Theodore Parisienne. To view this amazing photo go here: http://assets.nydailynews.com/polopoly_fs/1.2051969!/img/httpImage/image.jpg_gen/derivatives/article_970/copshot.jpg)

6. How did they know immediately this was in retaliation for Eric Garner…did he write a manifest or suicide note stating this?


7. How is his alleged Instagram page a reliable source?

Brinsley's Instagram page "dontrunup" has been disabled.
Brinsley’s Instagram page “dontrunup” has been disabled.

8. Is there CCTV footage from the subway platform?


9. Where were the newspaper stories from Baltimore about the shooting of the Ex Girlfriend?


10. Why is the only picture of his ex girlfriend showing her dressed in military fatigues? Is she a military officer?

Brinsley's ex Girlfriend Shaneka Nicole Thompson wearing military fatigues.
Brinsley’s ex Girlfriend Shaneka Nicole Thompson wearing military fatigues.

11. The police car doesn’t show any visible bullet holes or blood.

cops-shot-brooklyn


 12. Officers Wenjian Liu and Rafael Ramos were working as part of an anti-terrorism drill in Bedford-Stuyvesant during the time they were killed by a alleged Muslim Terrorist. Isn’t that impossible?????!!!!


13. Why are the only official photos of Officers Wenjian Liu and Rafael Ramos showing them posing in front of a movie green screen behind them?

Officers Wenjian Liu and Rafael Ramos pictures on a video green screen used for Chroma key special effects. Officer Wenjian Liu uniform doesn't look like it fits him and his head looks photoshopped.
Officers Wenjian Liu and Rafael Ramos pictures on a video green screen used for Chroma key special effects. Officer Wenjian Liu uniform doesn’t look like it fits him and his head looks photoshopped.

14. How was Brinsley able to take photos inside of a police department while possibly being arrested or detained?

shooting photos from jail? how is that possible?


 

Here is the official timeline of Ismaaiyl Brinsley’s movements on a day that began with the unauthorized entry into his ex-girlfriend’s house and ended with his suicide in a Brooklyn subway station:

5.30am
Enters apartment of ex-girlfriend Shaneka Thompson in Owings Mills, Maryland with a key he should not have had. They argue.

5.50am
Brinsley fires a single shot at Thompson, reportedly into her stomach. He flees with her cell phone.

6.05am
Brinsley calls Thompson’s mother to apologize for shooting her. He claims it is an accident, and that he hopes she lives.

6.35am
Baltimore County Police begins monitoring him. They track Thompson’s cellphone to the I-95 freeway, where he is believed to have been riding a bus. During the journey he keeps phoning Thompson’s mom, and reveals he is headed to New York City.

10.50am
Brinsley arrives in New York City, in the West Side, and rides the subway to Brooklyn.

12.07pm
He throws away Thompson’s phone in the Barclays Center. The NYPD later recovered it. Investigators are unclear where he goes between midday and the killings at 2.47pm.

1.30pm
Baltimore County Police send the NYPD a fax alerting them to Brinsley and his intentions. By the time it filters down to the rank-and-file, he has already struck.

2.47pm
Brinsley identifies his targets in the Bedford-Stuyvesant area of Brooklyn, tells passersby to watch, then fires four shots at them.
As he flees he confronts two Con Edison drivers, who chase him in their truck and point officers in their direction.
He runs into the Myrtle/Willoughby G train station, where he shoots himself dead on the platform

Please help us out if you have any facts.
-Nation19 Magazine / APDTA

If you get caught filming police brutality in Chicago you are going to jail! More cities and states to follow.

An amendment to a Senate bill in Chicago (actually the whole state of Illinois) has been passed to ensure that recording police officers and government officials is now a felony. This law would have made the Rodney King video and Eric Garner videos illegal.

The US Department of Justice reports that an average of 400-500 innocent civilians are murdered by police every year.

The Amendment to Senate Bill 1342 was stealthily introduced on the back of an unrelated piece of legislation last week. It essentially reestablishes a completely unconstitutional eavesdropping law that was previously overturned by The Supreme Court in March for being too draconian.

The amendment has stripped away safeguards to free speech rights from the original legislation and instituted a blanket ban on recording officials in public. It was passed by both the Illinois House and the Senate, with huge majorities, within two days of its introduction.

A post at watchdog website IllinoisPolicy.org notes that the bill is designed to prevent people from documenting interactions with cops on their cell phones by making it a class 3 felony to “eavesdrop” on city and state officials including police officers, police, an attorney general, an assistant attorney general, a state’s attorney, an assistant state’s attorney or a judge.

The new amendment legislates its way around the ‘reasonable expectation of privacy’ standard in law by refraining from defining it, and merely states that recording any “oral communication between 2 or more persons” is now illegal.

A class 3 felony is punishable by a prison sentence of two to four years. The bill also outlines that it is now a class 4 felony to record a private citizen in such circumstances. The crime is punishable by one to three years in prison.

nation19_apdta_750x497_mykindoftown

The vaguely worded legislation states:

(a) Eavesdropping, for a first offense, is a Class 4 felony (from Ch. 38, par. 14-4) and, for a second or subsequent offense, is a Class 3 felony.

(b) The eavesdropping of an oral conversation or an electronic communication of any
law enforcement officer, State’s Attorney, Assistant State’s Attorney, the Attorney General, Assistant Attorney General, or a judge, while in the performance of his or her official duties, if not authorized by this Article or proper court order, is a Class 3 felony, and for a second or subsequent offenses, is a Class 2 felony

Jacob Huebert, Senior Attorney at Liberty Justice Center, notes “There’s only one apparent reason for imposing a higher penalty on people who record police in particular: to make people especially afraid to record police.”

Boyz in the Hood (behind the scenes)

Many different influences play a key role in our creative process here at Nation19/ APDTA. A heavy stimulus is film making and more importantly films that tell stories that are rarely told and or acknowledged by Hollywood. The film Boyz N the Hood Directed by John Singleton is one of those influences. When the film was released in 1991 it was a first of its kind and though it had strong violent images it also portrayed regular people in south Central LA just trying to live, love, get an education and raise their children despite a plague of gang violence and Police brutality. A stark contrast between the movie Colors which showed an unreal world of police in LA, Boyz n the Hood showed something different.

Our Big bro and researcher LENCH MOB SHORTY actually played in this movie (He was one of the Gang members who stole Ricky’s football) and told us so much insight that we thought to share a little bit for you all to enjoy. Increase the Peace.

The James Foley Video is Obviously Fake

by Scott Creighton (from his blog)
————
Yesterday I wrote about the latest laughable twist to the ISIS Crisis campaign: the alleged beheading of “missing” journalist, James Foley. I would like to make one minor correction to yesterday’s rant: the video is a complete fake.

I had seen a video someone posted at Above Top Secret on a thread discussing the Foley fiasco which did show someone being beheaded. I had assumed that it was the Live Leak full video of the Foley beheading, not an edited version from Youtube which are all down at this time.

Turns out, that video was of someone else which is why yesterday I suggested they switched some poor soul for Foley at the moment of truth. That was not the case.

Today I have seen the real Foley beheading video and it is obviously a fake. It is professionally produced in some ambiguous dessert, could be government controlled Iraq, could be Jordan, could be outside Vegas for all I know.

What I do know is the video is a forgery. It’s well made except for the lack of the gory “beheading” special effects which would have been much more difficult to produce without the tell-tale CGI and taken much longer than they apparently had. The fact that the “dreaded ISIS” choose to exclude that particular part of the production belies the counterfeit nature of the video as does the reluctance by the MSM to actually show the fake crap to their audiences while simultaneously using it as justification, unquestioningly, for Obama’s renewed Iraq occupation.

Foley is obviously acting. He’s reading cue cards. He pauses as they are switched by the person holding them just off camera. His delivery is monotone. The entire video is devoid of any emotion on his part as well as his British executioner.

The acting sounds much like that of one of the in-between scenes of a professional wrestling production.

The video they show of the president making his recent speech about bombing and “boots on the ground” in Iraq as well as the “heroic” looking image of Foley in Army gear, is cross purposing. It’s designed to cast both in a favorable light, hardly something one would expect from ISIS.

The text of his statement is clearly designed to implicate anyone who condemns our colonialist endeavor in Iraq as ISIS sympathizers. The British have already suggested anyone sharing the video or downloading it may be considered in league with the terrorists.

Scotland Yard warned the public that viewing, downloading or disseminating the video within the UK might constitute a criminal offence under terrorism legislation.” Guardian

The “terrorism” they are referring to is the act of showing this ridiculous propaganda to others online and exposing it for the fraud that it is. That’s why it’s been removed from Youtube while gruesome videos remain. They don’t want us pointing out how staged it is.

Here’s an interesting observation about Mr. Foley. Does anyone else think the guy has put on weight since his capture in 2012? Looks remarkably healthy doesn’t he for a guy held captive by the “ebil Syrian Assad” and ISIS for nearly 2 years?

His teeth are whiter than Obama’s. Good dental program with ISIS?

The British guy holding the fake stage knife is almost as bad of an actor as Foley.

Also notice the scripting: while both mention casualties in Iraq, neither mention CIVILIAN casualties. They IMPLY it, but don’t SAY IT. That’s key to understanding the mind set and aspirations of the person who wrote this. No mention of bombed children. No mention of Islamic women being killed. And no mention of the neoliberal puppet regime in Iraq which this is all supposed to be about.

The actual beheading, unlike the video some influence peddling troll put up on the aforementioned ATS thread, is obviously fake. The British asset playing the role of the ISIS terrorist saws away at the neck of Foley at least 12 times as the camera fades to black. There is no blood during any portion of that segment of the video. That’s because the knife is plastic and blunt.

In the last segment of this video morality play we see what is purportedly the body of James Foley with his head detached and resting on top. The shirt seems much shorter than the one being worn by Foley during the rest of the videos. The head seems like it was professionally manufactured by someone rather skilled in the theatrical arts of film-making special effects. All Foley would have had to have done is sit for a couple hours while craftsmen made a mold of his head. The rest is simply latex and make-up.

Over at Reddit, a reader left a comment which I will place here in it’s entirety. He lays out good reasoning as to why it’s clearly a fake. I will leave you with this.

bayrumdiaries wrote:

1) Zero fear and zero emotion on the part of the victim and the aggressor. He doesn’t look or sound like he’s about to get a knife zigzagging through his esophagus. When he “blames” his brother, there’s zero emotion. No way anyone would be able to just read those lines so casually. At 3:00, when he says “I died that day John”, with the pauses and everything… he sounds more like an actor trying hard to persuade the viewer rather than someone who is speaking their last words to their family. Watch it and think about it. And the British gentleman terrorist is coming across like they’re on the 7th take of this video. No Allah Akbar. No highly charged vocal timber, which is 100% the norm in all other beheadings ive seen since Nick Berg.

2) Incredible sound engineering: Both the victim and the gentleman terrorist are miked, and the sound is really well produced. This is professional audio engineering. No other video out of Syria and iraq comes near the video/audio quality of this vid. And there are a LOT of videos coming out of Syria and Iraq.

3) No other terrorists around? If there were others around, as is ALWAYS the case in beheading videos, they would be all be shouting “Allahu Akbar” the SECOND the knife touched the throat. Notice the dead silence, which to me implies that they’re alone, which to me implies that there is no fucking way he wouldn’t fight the gentleman terrorist with small knife. (small by beheading standards).

3) Where’s the blood? Not only is there no blood after 6 or 7 saws against the neck when blood almost ALWAYS gushes immediately after 1-2 saws. Also, in the final shot, the blood on the ground is a mere trickle compared to the giant 3-foot in diameter pool of blood almost ALWAYS visible around the gaping neckwound. Another thing: At the very end, when the gentleman terrorist is showing off the next victim, his hands are perfectly clean, like he just got back from a manicure. No blood from the beheading he presumably just performed.

5) They leave out the best part??? The most terrifying part of a beheading video is the part completely left out of this video. I know why. Because it’s also the hardest part to fake. And this video is 100% fake. Fake fake fake. And, in comparison to the many dozens of videos Ive seen since Nick Berg, is wildly different from all of them.

So what happened to James Foley? First of all, there is no more James Foley. There is one of three possible scenarios:

1) He has joined the deep ranks of the CIA. Black Ops. Men In Black kinda shit. Like Tommy Lee Jones sitting Will Smith down on a park bench and telling him that he’s going to disappear. No more family or friends or anything. He’s been reporting from the middle east for years and has been kidnapped before. He probably knows a lot about them. So the CIA made him an offer. First make this video so we can go back and blow Iraq up again, but we need you so you’re life is over.

2) Same scenario as #1 but with Mossad.

3) He’s become one of them. He’s been embedded there so long, and has spent enough time with them for him to hate the US, and feel sympathy for his captors. And his captors know that he can help them. So they’re keeping him alive, but “killing him off” with this fake propoganda vid.

Or maybe it’s something else. But I’ll tell you this for sure: his head is firmly attached to his body. No doubts whatsoever.

The Foley beheading video, not unlike everything else “ISIS”, is marketing. That’s all it is.

It’s was manufactured by stagecraft technicians, producers and writers as a special ops type “support” operation in order to foster outrage in the collective conscientiousness of the American people in support of renewed combat operations in Iraq. That’s part of what Special Ops does.

The video is manufactured consent in it’s most transparent form. It’s not even really good marketing in that it’s obviously ham-handed in it’s delivery. I guess the truly talented practitioners of their respective trades found better paying work in the industry leaving the hacks and the scrubs to ply their wares in the Wag the Dog public-private-partnership arena.

Whatever you think of the reason the video exists, you can’t argue it’s authenticity even though the National Security Council swears to it’s legitimacy. Social media outlets are blocking attempts to share the phony video while globalist outlets like the Guardian are not only warning readers of being arrested for sharing it, they are openly calling for you to be afraid of clicking on it.

Foley’s family is claiming that James is a “martyr for freedom” as more bombs are dropped in Iraq and Obama prepares still more boots on the ground from the prestigious Martha’s Vineyard golf courses he plays with billionaires.

https://www.youtube.com/watch?v=0gK1GE_IAh8#t=11
———-

Hollywood is the new News…are we all watching or reading Channel Zero?

Hollywood is the new news. By nation19 magazine / APDTA

Is Hollywood the new News? Are we watching made up entertainment instead of real reporting of facts?

Earlier this month we dropped our new magazine (Nation19 Magazine issue #4) with an exclusive interview with CIA whistler blower Michael Ruppert. We were blocked in every possible angle to delete or completely drop the story. We even pitched the story to your favorite Black Newspaper…. they never got back to us. To make sure the interview saw the light of day we submitted a press release via PR News Wire (The world’s largest network for over 60 years).

This is what we were told to do in order to be distributed.

Nation19 Magazine being Censored
Nation19 Magazine being Censored

Is the news being Censored by people with an agenda or motives not in the public’s interest? You can judge for yourself.

This is part 1 of a fake news report from 1991 supposedly in Riyad, Saudi Arabia during the first Gulf War..but this is all filmed in the CNN studios in Atlanta GA. This is the rehearsal clip.
notice at exactly :56 seconds you see on the fake missile “Larry King Show or Bust”

This is part 2 of a fake news report from 1991 supposedly in Riyad, Saudi Arabia during the first Gulf War..but this is all filmed in the CNN studios in Atlanta GA. This is what aired live to US viewers. Reporter Chris Jayco panics and puts on a gas mask acting like a nerve agent has been released. FAKE

Wag The Dog

Since it’s #TBT we added this for all the Hip hop Heads:

You’re blind, baby
You’re blind from the facts on who you are
Cause you’re watching that garbage – “She Watch Channel Zero?!” Public Enemy

Invisible Mexico Exhibit by Nation19 Magazine / APDTA

Invisible Mexico by Hakeem Khaaliq and Nation19 Magazine / APDTA

Check out a sneak peek of our first exhibit entitled “Invisible Mexico” by Nation19 Magazine / APDTA. The exhibit features a wide variety of photos of people, places and cultures of Mexico while spotlighting on the Afro Mexican townships of Costa Chica and Veracruz. Invisible Mexico features the work of Nation19 Creative Director Hakeem Khaaliq and spans many years of researching black and indigenous cultures in Mexico and Central America. The exhibit is a display of 10 selected photos from the book of the same name which will be released in May. After seeing the exhibit, Univision the largest Spanish speaking television network selected Nation19 and Hakeem Khaaliq to co-produce a two part mini documentary special with famed News Anchor and Television reporter Sergio Urquidi. The television special will air in June -July nationally and internationally on Univision.

Want to know more? Contact us at get@nation19.com

Los afro-mexicanos son ciudadanos voluntarios e involuntarios de las míticas zonas fronterizas donde negocian sus identidades, verifican sus lealtades, y se definen a los demás y a sí mismos mientras trabajan para aceptar las complejidades de las múltiples capas de su identidad afro-mexicana. No son simplemente mexicanos o simplemente gente negra; son ambos mexicanos y negros de una manera que personifican la idea del mexicano como “la raza cósmica.” Son tan indígenas a México como el mexicano más pálido con ascendencia estrictamente europeo. Sin embargo, el estigma social y el racismo internalizado asociado con ser negro y tener la piel oscura les hace a muchos afro-mexicanos sentirse avergonzados y con el deseo de negar su negritud en lugar de aceptarse y sentir orgullo por su piel oscura, pelo rizado y rasgos africanos. Los afro-mexicanos son los rostros invisibles de México como resultado de la amnesia histórica y de la historia oficial que prácticamente ha borrado la presencia africana y sus contribuciones a la nación mexicana. Mientras la historia del africano en México ha sido omitido, esta colección de fotos rinde homenaje a la gente negra de la Costa Chica en México y sirve para llevar la presencia del negro en México de la oscuridad a la luz, de la opacidad a la transparencia, y de la invisibilidad a la visibilidad de una manera que respeta la historia y la lucha mientras muestra la belleza y la fuerza de México Negro.

-Jameelah Xochitl Medina, PhD

Our Vinyl Weighs A Ton: This is Stones Throw Records

Our Vinyl Weighs a Ton: This is Stones Throw Records

Peep!
COMING TO THEATERS IN MARCH 2014 – GET TICKETS! www.OurVinylWeighsATon.com

Produced & Directed by Jeff Broadway
Co-Produced & Edited by Rob Bralver
Written by Jeff Broadway & Rob Bralver
Executive Produced by Jason McGuire

Our Vinyl Weighs A Ton is a feature-length documentary about avant-garde Los Angeles-based record label Stones Throw Records. The film weaves together rare concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the artists who put Stones Throw on the map. Our Vinyl Weighs A Ton gives an exclusive look into the label’s left-of-center artists, history, culture, and global following.

The film features exclusive interviews with Peanut Butter Wolf, Kanye West, Snoop Dogg, Madlib, Common, Questlove, Talib Kweli, Mike D (The Beastie Boys), Tyler, The Creator, and many more.